Music / response: soundtracking Hong Kong


The Smiths’ Hatful Of Hollow and Pulp’s His ‘n Hers – two albums that work well in the UK, where melancholy is baked into its residents’ psyche, but less so in Australia where music as catalyst for introspection takes a back seat to rocking the hell out.

Perhaps why Neil Young & Crazy Horse’s Ragged Glory clicks into gear more readily whilst walking the hot streets of Sydney or driving the open spaces of an even hotter rural New South Wales than when stuck in a line of traffic trying to squeeze its way out of London via the M4 on a wet Wednesday night.

In visiting Tokyo, I abandon all guitar music and load a Sony NW-ZX2 with the other-worldly soundscapes of The Future Sound of London and the clean, skittering percussion of Plastikman’s Musik and Sheet One. Similarly, Tokyo’s monolithic skyscrapers and endless night-time neon make the perfect visual accompaniment to Orbital’s Brown Album and Aphex Twin’s Selected Ambient Works – Volume 1 (and not 2).

In Munich, techno jars with the city’s 18th century architecture. Here a more varied aural diet is needed: Grace Jones, David Bowie and Television to name three. Could it be that music fits a place as wine might match food?

Two nights ago, I arrived in Hong Kong (my first visit) a matter of hours before the city issued a Category 8 Tropical Cyclone Warning for Typhoon Nida and closed the airport. Residents were advised to stay in doors and I spent my first night in Hong Kong hearing the storm blast its way through the night.

The following morning, Nida moved into southern China leaving Hong Kong’s streets deserted for the majority of the morning – I went walkabout. What music would work best here?

Despite its Tokyo-esque skyscraper shorelines, Hong Kong is far more multicultural than Japan. And the summer heat, 30C coupled to 95% humidity, makes for an super-oppressive atmosphere for the unsuspecting tourist – talk about steamy. Techno and electronica were out, the more languid end of Giant Sand’s catalogue and Thin White Rope were in. Americana seems to be a good fit for Hong Kong so far.

Moreover, the weather makes shorts and a t-shirt mandatory attire. That puts pocket space in short supply. The AK100/Mojo bundle would have to remain at the hotel. Instead, an iPhone 6S Plus and AudioQuest DragonFly Red would power some of the finest-sounding/looking universal IEMs available right now: Campfire Audio’s Andromeda.


I’m in Hong Kong for two reasons: 1) to visit KEF’s new Hong Kong headquarters and 2) to soak up the annual Audiotechnique AV Show:

“The 3-day Hong Kong High-End Audio Visual Show, the biggest AV show in Asia, will be held on 5-7 August at the Hong Kong Convention and Exhibition Centre. Representatives, designers and engineers from different countries will be participating. In addition to top gears [sic] high end brand names, the most advanced digital technology and the latest audiophile-grade music software will be shown.”

Audiotechnique is reportedly one of the biggest audio-related publications in this part of the world and has been in business since 1981. Impressive.

Commentary, photos and video from the show will follow in due course. Be warned: my plan as it currently stands is to buck DAR’s usual ‘high value’ trend and go all out with uber-$ high-end gear. We shall see.

Further information: Audiotechnique AV Show


DAR 750 x 290



Written by John H. Darko

John lives in the NOW + HERE = NOWHERE. He derives an income from the ad revenues of DAR. John is also an occasional staff writer for Stereophile, 6moons and TONEAudio.

Twitter: DarkoAudio
Instagram: DarkoAudio
Facebook: DAR


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  1. I soundtrack my Hong Kong with drone and post rock. a local instrumental band called tfvjs is a great place to start.

    see you at the audiotechnique show

  2. I second Roy. Post rock, or even the more chilled kind of math rock works quite well in Hong Kong, as it does in concrete Tokyo. If you’re in a bit of a meandering mood, walking about a lot, jazz-fusion works well, whatever the city.

    If there’s one thing I hope for with the Apple removing the 3.5mm jack from their next iPhone, it’s higher quality lightning DAC/cable combos. I’m loving my new DF-Red (thanks again, btw) but it’s strictly for home, cafe and hotel room use. I tried, but still can’t come to appreciate that blasted camera connection kit dongle whatever thing. It’s just plain clumsy. I completely understand AudioQuest and other makers not wanting to share their products innards in order to get MFI certification, seeing how Apple owns Muddy Bass Headphones Inc now, but still hope for something more straightforward in future, just for walkabouts.

    Attended an audio show in HK some years ago, around the same July-August period (humidity hell, even without a storm aftermath) – just happened to be there for work, wasn’t planned or anything. Not sure if it’s the same show you’re attending, but was quite big (also held in a large exhibition center of some sort) with lots of brands one could only afford if they were a kleptocracy practicing politician. They mostly had insipid whiteman jazz and grating “adult contemporary” drivel playing though, so I sincerely hope you experience better playlists than I did.

  3. Enjoy HK. Some recommendations for the show, check out Line Magnetic, their 518iA is the best amp I’ve ever owned (even if the aesthetics could falteringly be described as retro…Devialet it is not) it’s brilliant with Zu Druids and even LS50’s and much more reasonably priced in China. Their HK dealer, who usually have a booth at the show, does both LM and Zu. Questyle are doing some good things. Also I am starting the think the Opera Consonance Wax turntable could be interesting at its price. Plus if you can find a Chinese manufacturer who makes a good speaker, you’re a better man than me.

  4. Lovely atmospheric post-typhoon lull video! …. the quiet throbbing of the star ferry engines, the empty escalators, the slow afternoon trudge back to work on the walkways and the flailing fish! Great stuff .

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