Aurender launch N10 server, UC100 converter at RMAF 2015


When I review a DAC or music server I like to pop the lid and shoot photos of its internals. For some products it’s a cinch: eight or ten screws later and the you’re in. Giving Aurender’s N100H a post-review once over last month didn’t instil me with confidence that I wouldn’t somehow damage the brushed aluminium chassis. Besides, the front fascia looked like it might be central to a pull-off sleeve – so I left well alone. The N100H’s handsome looks weren’t for spoiling, not for the sake of curiosity and camera.

A walk to the far end of Aurender’s demo room at RMAF this year last validated the decision to leave well alone. Tucked between show-only, perspex-lidded versions of the X100L and X725 was a similarly see through N100H. Click went the Fuji X100S. Thank you and good night.

Not so fast.


To the trio’s immediate left, the UC100, Aurender’s all-new USB-S/PDIF converter. The Korean company’s now signature ribbed sided, brushed aluminium chassis means owners won’t feel compelled to tuck it away out of sight. The UC100 isn’t only for connecting entry-level Aurender servers – whose only digital output is USB – to legacy DACs that only offer coaxial or BNC. A S/PDIF converter can accidentally-on-purpose isolate a DAC from USB line noise even when though its primary purposes are a) to translate one transmission protocol to another and b) reclock the digital audio signal with the aim of reducing downstream jitter.

And then, slap bang in the middle of the room, atop the system rack sat the all new N10, doubled up so that Aurender’s Director of Sales and Marketing Jean-Paul Lizars could simultaneously show off two settings on the multi-purpose information display: now playing and VU meters. I tried to ignore them as I inhaled Giant Giant Sand’s “Wind Blown Waltz”. Charged with Aurender’s Conductor iPad app, Lizars refuses to phone it in when it comes to music choices. He pays close attention to music covered by review sites like this one and Michael Lavorgna’s consistently excellent Audiostream.

But you don’t drop over twice the sticker price of the N100H on the N10 (US$8000) – simply for a full width chassis, oversized OLED display and twice the faux VU meter bounce. Beauty is wasted on vacuous shells; assuming the N10 offers even a slight audible improvement over the N100H – unlikely, but assume nothing – it’ll be no airhead. “Oven-Controlled Crystal Oscillator (OCXO) for long-term jitter reduction”, anyone?

The N10 replaces the S10, Aurender’s very first server model, introduced back in 2011. Four years is a long time in the DAC world, even longer in the server/streamer world where consumers (myself included) are slowly waking up to the audible benefits of feeding one’s DAC with a device that emits lower amounts of electrical noise over USB.

That said, the N10 comes loaded with a full suite of digital outputs: AES/EBU, USB, BNC, coax and toslink – essential for those who demand flexibility beyond the N100H’s USB-only restriction. Then there’s the N10’s 4TB of internal HDD storage for full accommodation of proper large lossless collections and a 240Gb SSD that serves as playback cache. Keeping format compatibility up with the Jones’, the N10 can convert DSD to PCM on the fly with user selectable sample rate options.


Aurender mainman Harry Lee points to the perspex-topped, battery-infused, top-of-their-range W20 by the door as way of illustrating how the N10’s larger footprint and build budget gave their engineering team more wiggle room to “implement best practice”: a beefier power supply, three times more powerful than that found in the N100H, better electrical isolation, higher quality components and “more lavish materials”.

A final nod of approval goes to Aurender’s choice of loudspeakers and their decision to buck prevailing RMAF practice and fire ’em across the width of the room: Sweden’s Larsen Model 8 proved just right for the hotel room’s less well compliant acoustics. Marvellous.

The N10 system was rounded out by a Aesthetix Pandora DAC/pre, Aesthetix Atlas Signature power amplifier and Shunyata Hydra DPC-6 power conditioner.

Further information: Aurender





Harry Lee takes time to exhale a little at RMAF 2015.


Aurender’s Sally Jeung chats with their PR chef Bryan Stanton.



RMAF ’15 coverage brought to you by Aurender:


Written by John H. Darko

John lives in the NOW + HERE = NOWHERE. He derives an income from the ad revenues of DAR. John is also an occasional staff writer for Stereophile, 6moons and TONEAudio.

Twitter: DarkoAudio
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Facebook: DAR


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  1. I’m seriously considering either the N100H or the new Lumin D1. Both are priced similarly with the same feature set and excellent custom iOS apps with Tidal integration. Tough choice indeed! South Korea or Hong Kong? Any opinion?

    Btw John, are you going to continue using that VHS camcorder filter for your YT videos or is this just specific for RMAF? The novelty was cool at first but it’s difficult to get a good look at the components on display in the videos.

    • Yeah, I hear you on the filter. I only chose to video at the very last minute and with the VHS filter because I thought it would immediately calibrate viewers’ expectations. I’ve yet to decide how to move forward. Being as you couched your criticism without a sense of entitlement, suggestions are most welcome.